Special Offers
Special Offer (November 2010) Important works by Edisson Denisov and Giya Kancheli - Available on sale for the first time:
The Sikorski Music Publishing Group is well-known for its strong effort in supporting contemporary composers of Eastern Europe. Sikorski's broad repertory includes the works of the Russian composer Edisson Denisov and of the Georgian composer Giya Kancheli. HARRASSOWITZ has compiled the following list of works by Edisson Denisov and Giya Kancheli, which are available for sale for the first time, now. All these editions are print-on-demand editions by Sikorski (Hamburg). Edisson DenisovEdisson Denisov (1929-1996) is considered, alongside Sofia Gubaidulina and Alfred Schnittke, one of the most important modern Russian composers. He first began studies in mathematics before studying composition with Vissarion Schebalin and Nikolai Peiko at the Tomsk Conservatory. From 1968 until 1970 Denisov worked at the Experimental Studio for Electronic Music in Moscow. He taught composition privately (his most important students were Elena Firsova and Dmitri Smirnov) and he taught instrumentation and score playing at the Moscow Conservatory. The powers in charge did not wish to entrust him with a composition class due to his avant-garde tendencies. After the breakdown of the Soviet Union, Denisov was for a while Secretary of the Russian Composers’ Union and co-founder of the Moscow Ensemble for New Music. At first Denisov was encouraged by Dmitri Shostakovich but later his own work moved ever further away from the older composer’s influence, turning instead increasingly towards Western (especially French) models of contemporary music. Denisov’s wideranging work is characterised by free dodecaphony and micro-structural procedures with which he attains a great richness of atmospheric timbres. Suite aus dem Ballett "Bekenntnisse". For orchestra. Full score. Der Weihnachtsstern. For voice, flute and string orchestra. Full score. Dein liebes Antlitz. For voice and orchestra. Full score. Morgentraum. For soprano, choir and orchestra. Full score. Giya KancheliGiya Kancheli (*1935) studied at the Conservatorium of Tbilissi with Iona Tuskiya from 1959 until 1963. He has been a freelance composer since passing his examinations. In 1971 Kancheli became Music Director of the Rustaveli Theatre in Tbilissi. The composer moved to Berlin in 1991, where he received a stipend from the German Academic Exchange Service (DAAD). In 1995 he was composer-in-residence of the Royal Flemish Philharmonic in Antwerp. Since then Kancheli has been living in Belgium as a freelance composer. Even since Kancheli had started out as a composer of the “Soviet avant-garde” during the 1960s, he unceasingly worked out his own musical style in the years since then. Kancheli’s sound-world has something incredibly natural about it. His musical structures are based on emotional aspects such as intensification and tension, excitement and calm. He works with dynamic extremes and not infrequently demands extreme slowness. In terms of atmosphere, Kancheli’s music is closely connected with his homeland of Georgia without actually quoting Georgian folklore. Nostalgia and melancholy, as well as sadness over the political conditions in the former Soviet Union (“Life without Christmas”) and the destruction of the Georgian civil war mark his production. ...a la Duduki. For orchestra. Full score. ...al niente. For orchestra. Full score. Ergo. For orchestra. Full score. Fingerprints. For orchestra. Full score. Noch einen Schritt... For orchestra and tape. Full score. Rokwa. For orchestra. Full score. Trauerfarbenes Land. For large orchestra. Full score. Warzone. For orchestra. Full score. Broken chant. For violin, oboe and orchestra. Full score. Childhood revisited. For oboe (clarinet), piano, bass guitar and strings. Full score. Ex contrario. For 2 violins, string orchestra, keyboard, bass guitar and tape. Full score. Kapote. For accordeon, percussion, bass guitar and string orchestra. Full score. Lonesome. For violin and orchestra. Full score. Sio. For string orchestra, piano and percussion. Full score. Diplipito. For violoncello, counter tenor and string orchestra. Full score. Dixi. For mixed choir and orchestra. Full score. Musik für die Lebenden. Opera in 2 acts. Full score. Magnum ignotum. For ensemble and tape. Full score. Please order through your normal library channels, or contact service@harrassowitz.de for more information. If ordering outside of OttoEditions, please include the HARR ID to expedite your order. |



